Get all 854 elizabeth veldon releases available on Bandcamp and save 90%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of the new year reviving old desires, robert's contract, passing the dark house (ost), two dances for a girl in red (for toni), 'this pressure, this texture, this smell, this gesture', two empty sets and a coda, one million dead epistemologies, opening the window to let you out, and 846 more.
elizabeth veldon UK
i am a sound artist and sort-of academic researching themes of labour and hierarchies in art.
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supported by 4 fans who also own “walking across christ's pieces one summer i had a vision of a life lived by the campsies, watching the slow erosion of time”
Mesmerizing explorations of drone and sonic stasis. Best composition 4:10 featuring japanese ambient guitarist Hakobune.
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Music For A Book
by Nicolas Bernier
supported by 4 fans who also own “walking across christ's pieces one summer i had a vision of a life lived by the campsies, watching the slow erosion of time”
A delicate sprinkle of coloured notes falling like snowflakes. Drones filled with harmonic tension and release. An exquisite album!
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Mirrored
by zakè & Slow Dancing Society
supported by 4 fans who also own “walking across christ's pieces one summer i had a vision of a life lived by the campsies, watching the slow erosion of time”
the sound of glacial processes and progress… please never end… an absolute masterpiece of patience & virtue
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Freeland
by William Ryan Fritch
The soundtrack to the award-winning film “Freeland” functions beautifully as an album in its own right, with stark, evocative instrumentals.
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NY outfit N to The Power cite Erik Satie, The Meters, and Steve Reich as influences, and you can hear it in their free-roaming songs.
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The first release on Cacophonous Revival, from experimentalist Samuel Goff, uses avant-garde approaches to get at personal narratives.
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supported by 4 fans who also own “walking across christ's pieces one summer i had a vision of a life lived by the campsies, watching the slow erosion of time”
The cover art inspired me to go alone in the park, lay down under a big tree, and get immersed in this ethereal ambient, watching the cloudy cold sky through its late november naked branches. And yes, the soundscape seems bigger than if listened in the living room.
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