Get all 829 elizabeth veldon releases available on Bandcamp and save 90%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of three textures for imagined concrete surfaces, adieu to old england, adieu,, i am the collector (volume five): how did we get here part two, we are falling (kabul 16.08.21), i am the collector (volume five): how did we get here part one, i saw the wizard of west bow astride a headless horse as i assended to victoria street, three books of alchemy for anastasia in her grief, all the rest have thirty one (in memory of laetitia), and 821 more.
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elizabeth veldon UK
i am a sound artist working primarily in the areas of minimalism and improvisation. no, it's not really 'music.'
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Gorgeous electrical endlessness, the shimmering raga that is sonically somewhere between appliances humming and warm analog synthesizers, the perfect center between layers of resonant buzz, blankets of out of focus vibrations. I like to imagine that if the Earth itself generated an audible tone when it rotated, it would sound and feel something like this.
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What Is Music And What Should It Be
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“What Is Music And What Should It Be” comprises two compositions, each lasting 45 minutes. Both are very dense, and – with the right sound system – could easily function as a sonic sculpture, a peculiar piece of sound-art, which – again, in the right acoustic conditions – could physically take over the given space, filling it with sound.
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electricity, that's what it is.
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Freeland
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The soundtrack to the award-winning film “Freeland” functions beautifully as an album in its own right, with stark, evocative instrumentals.
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AUTOGENESIS
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NY outfit N to The Power cite Erik Satie, The Meters, and Steve Reich as influences, and you can hear it in their free-roaming songs.
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Transmissions
by Samuel Goff
The first release on Cacophonous Revival, from experimentalist Samuel Goff, uses avant-garde approaches to get at personal narratives.
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Metastabilities
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