Get all 828 elizabeth veldon releases available on Bandcamp and save 90%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of adieu to old england, adieu,, i am the collector (volume five): how did we get here part two, we are falling (kabul 16.08.21), i am the collector (volume five): how did we get here part one, i saw the wizard of west bow astride a headless horse as i assended to victoria street, three books of alchemy for anastasia in her grief, all the rest have thirty one (in memory of laetitia), i make this song about myself (revisiting cuidus contrarium verum est), and 820 more.
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foliage and green men
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angels and musicians
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elizabeth veldon UK
i am a sound artist working primarily in the areas of minimalism and improvisation. no, it's not really 'music.'
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Music not for Airports
by Calineczka
supported by 5 fans who also own “a fanciful imagining of rosslyn chapel”
Gorgeous electrical endlessness, the shimmering raga that is sonically somewhere between appliances humming and warm analog synthesizers, the perfect center between layers of resonant buzz, blankets of out of focus vibrations. I like to imagine that if the Earth itself generated an audible tone when it rotated, it would sound and feel something like this.
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Enfolding
by offthesky
supported by 4 fans who also own “a fanciful imagining of rosslyn chapel”
This album takes me on a enveloping journey of sound into the cosmos. Deep and delicious.
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Caveat Audiens
by Su Sous Toulouse En Rouge
supported by 4 fans who also own “a fanciful imagining of rosslyn chapel”
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Freeland
by William Ryan Fritch
The soundtrack to the award-winning film “Freeland” functions beautifully as an album in its own right, with stark, evocative instrumentals.
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AUTOGENESIS
by N to The Power
NY outfit N to The Power cite Erik Satie, The Meters, and Steve Reich as influences, and you can hear it in their free-roaming songs.
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Transmissions
by Samuel Goff
The first release on Cacophonous Revival, from experimentalist Samuel Goff, uses avant-garde approaches to get at personal narratives.
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The Last Sense To Leave Us, A Tribute To Pauline Oliveros
by Rural Colours
supported by 4 fans who also own “a fanciful imagining of rosslyn chapel”
I first heard Pauline Oliveros on the "New Sounds in Electronic Music" compilation. This is a wonderfully creative tribute to her and her work.
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