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on margate sands i can connect nothing with nothing

by elizabeth veldon

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about

this is an attempt to represent ts eliot's poem 'the waste land' in an abstract form that keeps the formal structure intact but removes the overt homophobia, anti-semitism, racism and references to eugenics.

each individual speaker or literary reference is assigned a sine wave and each line of the poem has been given two seconds.

credits

released August 14, 2011

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all rights reserved

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about

elizabeth veldon UK

i am a sound artist and sort-of academic researching themes of labour and hierarchies in art.

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