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drawing the sortes

by elizabeth veldon

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about

this album references the m r james story 'the ash tree'

"So much is to be said of the Symptoms seen on the Corpse. As to what I am to add, it is meerly my own Experiment, and to be left to Posterity to judge whether there be anything of Value therein. There was on the Table by the Beddside a Bible of the small size, in which my Friend punctuall as in Matters of less Moment, so in this more weighty one — used nightly, and upon his First Rising, to read a sett Portion. And I taking it up — not without a Tear duly paid to him which from the Study of this, poorer Adumbration was now pass'd to the contemplation of its great Originall — it came into my Thoughts, as at such moments of Helplessness we are prone to catch at any the least Glimmer that makes promise of Light, to make trial of that old and by many accounted Superstitious Practice of drawing the Sortes: of which a Princapall Instance, in the case of his late Sacred Majesty the Blessed Martyr King Charles and my Lord Falkland, was now much talked of. I must needs admit that by my Trial not much Assistance was afforded me: yet, as the Cause and Origin of these Dreadful Events may hereafter be search'd out, I set down the Results, in the case it may be found that they pointed the true Quarter of the Mischief to a quicker Intelligence than my own.

"I made, then, three trials, opening, the Book and placing my Finger upon certain words: which gave in the first these words, from Luke xiii. 7, Cut it down; in the second, Isaiah xiii. 20, It shall never be inhabited; and upon the third Experiment; Job xxxix. 30, Her young ones also suck up blood."

credits

released February 9, 2016

still taken from lawrence gordon clark's adaptation of 'the ash tree (photography by john mcglashan)

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all rights reserved

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about

elizabeth veldon UK

i am a sound artist and sort-of academic researching themes of labour and hierarchies in art.

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